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The Cronkite Agency Recognized for Outstanding Strategic Communications and Digital Marketing Campaigns in 2023 awards c…

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The Cronkite Agency Recognized for Outstanding Strategic Communications and Digital Marketing Campaigns in 2023 awards c…

The Cronkite Agency, a capstone experience at Arizona State University’s Walter Cronkite School of Journalism and Mass Communication, was recognized with multiple awards during the 2023 dotComm and MarCom international awards competitions which honor excellence in communication, web creativity and digital marketing.  

Cronkite Agency students received a dotComm Platinum Award in the “Student Production” category, recognizing their work as part of the RWJF Southwest Health Reporting and Communications Initiative. Generously funded by the Robert Wood Johnson Foundation, the Initiative supports the Agency’s creation of campaigns about healthcare information and specifically targets the Spanish-speaking parents of young children in the Southwest. During the spring 2023 semester, the student team produced video content promoting healthy eating habits, in conjunction with Every Little Step Counts (ELSC), a family-centered diabetes prevention program. RWJF professor of practice Nicole Macias oversaw the work of students Yamileth Cabrera, Nicholas Elsner, Annette Garcia, Michayla Lopez, Daniel Ochoa, Mia Powell, Bella Schneider and Annia Zavala.

The Agency also received a dotComm Gold Award among professional entries in the “Social Media Campaign” category, recognizing students’ work for the Arizona Foundation for Women. This non-profit advances the status of Arizona’s women through research, advocacy and philanthropy. During the spring 2023 semester, the team created a campaign highlighting the organization’s Moonlight Masquerade Soirée in February. Clinical Assistant Professor Abby Zufelt oversaw the work of Maya Badman, Yamileth Cabrera, Gabriella Herran, Madison Lovin and Aleesha Singh.

Another Cronkite Agency team received a Gold Award in the professional “Communication Plan” category, recognizing its work for its client, Phoenix-based Wellkasa, which focuses on democratizing safe and effective integrative medicine for people with chronic medical conditions. A Gold MarCom Award is presented to entries that exceed the high standards of the industry norm. In 2023, there were over 6,500 award entries from throughout the United States, Canada and 43 other countries. A comprehensive traditional media and social media relations plan was implemented throughout the semester by students Doreen Ampofo, Charlotte Canada, Samantha Chow, Elias Johnson, Sarah Nguyen, Nicole Rossi and Miya Whitaker.

The Agency also received honorable mentions for a social media campaign highlighting the grand opening of Tempe-based FABRIC, a non-profit “phygital” fashion incubator, an evergreen brand brochure created for nonprofit Oakley’s Oath in Scottsdale, as well as a news release spotlighting the 2022 Día De Los Muertos game night for the Phoenix Suns.

“Our Agency students have the unique opportunity to partner with their clients to develop creative, innovative and impactful communications and marketing campaigns,” said John James Nicoletti, the Agency’s executive director and professor of practice at the Cronkite School. “I’m incredibly proud that their thoughtful initiative and precise execution has been recognized by the Association of Marketing and Communication Professionals for its excellence.”

About the dotCOMM Awards
The international competition honors excellence in web creativity and digital communication. Winners are selected from categories for websites, videos, social media, paid media, owned media, earned media, and digital marketing and communication programs. The awards are administered and judged by the Association of Marketing & Communication Professionals (AMCP). Learn more at dotCOMM Awards.

About the MarCom Awards
The MarCom Awards is an international competition for marketing and communication materials and programs. MarCom is a third-party evaluator of creative work submitted by ad agencies, PR firms, design shops, corporate communication departments, digital professionals and freelance creatives. The awards are administered and judged by the Association of Marketing & Communication Professionals (AMCP). Learn more at MarCom Awards.

About the Cronkite Agency
The award-winning Cronkite Agency includes strategic communications and digital marketing student-practitioners participating in one of the many capstone classes at the Walter Cronkite School of Journalism and Mass Communication at Arizona State University’s Downtown Phoenix campus. The agency provides members the opportunity to work on communications and digital marketing campaigns on behalf of real-world corporate and non-profit clients. Current and past clients include the Arizona Sustainability Alliance, Bubble Skincare, McDowell Sonoran Conservancy, Vrbo Fiesta Bowl Host Committee, Yubico and the Phoenix Suns. For more information, visit the Cronkite Agency online.

Inside the Cabbage Patch Kids frenzy and Black Friday riots of 1983

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Inside the Cabbage Patch Kids frenzy and Black Friday riots of 1983

For those who were of a certain (young) age in 1983, there’s no need to recount the phenomenon of Cabbage Patch Kids. They took the toy world by storm when they first hit the market, creating an instant obsession among kids wanting to “adopt” a scrunchy-faced, soft doll that came with adoption papers and a backstory. The demand, driven by off-the-charts FOMO, for the unconventional—the word “ugly” is often applied—dolls was so high that supplies quickly ran out, creating literal mob scenes at toy stores over Black Friday weekend and the holiday shopping season that year.

Police were called to dispel a disturbance at the Toys “R” Us in Huntington, New York on November 25, 1983. [Photo: Dick Yarwood/Newsday RM/Getty Images]

Documentary filmmaker Andrew Jenks (Dream/KillerIt’s Not Over) makes the story of Cabbage Patch Kids the subject of his new documentary Billion Dollar Babies. Narrated by Neil Patrick Harris and in theaters now, the documentary explores not just the consumer madness that so exemplified the go-go era of Reagan America, but the unlikely story of how the $2 billion Cabbage Patch empire was spawned by a soft-spoken Southern artist turned toy tycoon, Xavier Roberts, whose business began when he created a doll hospital in Georgia (Babyland—it’s still operating) where dolls were “born” among leafy green fields and cared for by nurses. 

[Image: courtesy NBCUniversal]

In conversations with Roberts, who has not given in interview in decades, and the surrounding players who fueled the Cabbage Patch fury, Jenks lays out a tale built on greed and old-school artistry and media. A Cabbage Patch segment on NBC’s Today ran nearly five minutes; nearly twice the time that the show would devote, say, to a Middle East leader, Connie Chung notes in the documentary.

Jenks talked to Fast Company about the sleuth-work involved in tracking down Roberts; the viral nature of the Cabbage Patch frenzy; and the complexities surrounding the IP ownership claims over who first dreamed the dolls up.

[Photo: Jacques M. Chenet/CORBIS/Corbis/Getty Images]

You’ve had an interesting career as a documentarian: covering the 2012 election for MTV, making a film about an all-deaf, high-school football team, and creating the popular podcast series Gangster Capitalism. What got you interested in Cabbage Patch Kids?

I think it started at a pretty simple place. Just YouTubing Cabbage Patch Kids, alone, you go down this rabbit hole of seeing the melees and fights and people with bats and threatening each other, and just this craze at malls and stores. You’re quickly just thinking, Man this was all over a doll. What’s going on?

In the early days, I was interested in the kind of supply and demand of it all. And how it was this very clear example of—and ultimately reinforced to a lot of toy companies, and all sorts of companies—how scarcity can create fear, which can create higher demand and more press, and so on. One of the tidbits I learned early on was that the U.S. government actually ended up making this false advertising charge against Coleco, the maker of Cabbage Patch Kids, saying they were “harassing” children by running ads for dolls that weren’t available. [The demand for Cabbage Patch Kids was so high when they went on sale in 1983 that supplies ran out.] Coleco had to actually discontinue further advertising. They made this big announcement about having to pull commercials. And of course that just created even more of a craze. 

[Image: courtesy NBCUniversal]

The role of media and advertising is interesting in the Cabbage Patch narrative. As you point out in the film, their release coincided with the FCC lifting restrictions on running toy ads during children’s programming, so suddenly there was this complicit, and very direct, relationship between toy companies and kids. Not to mention that back then the power of television and television advertising was insanely high. There was no YouTube or other screen experience vying for kids’ attention.  

Cabbage Patch Kids also were on wherever you looked: Letterman, Johnny Carson, Newsweek, Saturday Night Live, Night Line. Ronald Regan called wanting to do something with Cabbage Patch. They took one into space with astronauts. There weren’t as many (media) outlets as there are now, but the ones that did exist, they were all over. 

Also, Coleco did some interesting things with their advertising—like, they marketed the doll to boys. So, there were a lot of commercials with boys playing with Cabbage Patch Kids, that had never really been done before. There were different marketing strategies that they took on

The film is as much about Cabbage Patch Kids as the man behind them, Xavier Roberts, who’s a fascinating mix of Michael Jackson man-child showman, soft-spoken Georgia gentleman, and cutthroat business guru who saw an empire in quirky-looking—many say “ugly”—dolls. He’s also a bit of a recluse. How did you get him to agree to participate in the film?  

[Image: courtesy NBCUniversal]

We actually began production without knowing whether we could really find him. It took months and months. He’s never done an interview where everything was on the table. He’s done interviews here and there for a couple minutes, for very specific promotion kind of things. But he hadn’t done any interview on camera so far as we could tell for like 20, 25 years. You could hardly find pictures of him recently. There were all sorts of whispers about how he lives in France now. There was this mystique. 

So, I found a yearbook from the high school he went to and I started calling classmates of his. He was just very difficult to find. We had a private investigator help us. Eventually, I tracked down someone he had worked with, and still does, and started talking to her and that was kind of the beginning. 

I didn’t meet Xavier until we went down to Georgia (to film). I told him that—it wasn’t a threat—but that we were making the documentary either way. And that I didn’t know how many times there would be a feature documentary on Cabbage Patch Kids, and he’s getting older in age, so why not take part in it? Another thing I said was, If you look back at my work, I’m not a gotcha guy or anything like that. So, if you’re interested, take a look at my past work and you’ll see I’m not out to get anyone. 

[Image: courtesy NBCUniversal]

The film also delves into the controversy over who exactly is responsible for the creation of Cabbage Patch Kids. Roberts got the idea for them from Martha Nelson Thomas, a Georgia artist who sewed what she called “Baby Dolls” in her home and sold them at local art fairs—which is how she met Roberts. Thomas’ dolls looks uncannily like Cabbage Patch Dolls and she came up with the notion of no two dolls looking alike. The film examines how Thomas never got credit for, or any revenue from, the “billion dollar babies.” What did you make of this moral/business quandary? 

There are certainly different ways to look at it. Let’s start with this one: Is what he did illegal? No. He got the copyrights, he did all of that by the book. That said, though, did he steal the idea? Well, certainly the dolls have a similar look. But more than that, they have a similar concept. Each doll has a backstory, they have a unique name, they came with papers of some kind that made the doll even more of a person, an individual. And then obviously [Roberts and Thomas] ran into each other and he has this note where he says more or less that he’s going to continue in his business with or without her. That letter is pretty damning. But all of that said, I do think there’s something to be taken seriously—by the way, I can’t believe we’re talking about all this when it’s over Cabbage Patch Kids, that’s what I love about this film. 

I don’t dismiss him out of hand when he says that without her there is no Cabbage Patch Kid. He says something akin to “No Martha, no Cabbage Patch.” I think there’s a lot to be said for that. And I’ve gotten a 50-50 reaction to that. Literally half the people say, “Oh my God, he stole the idea from Martha!” And the other half say, “He did not steal it, he was inspired by her. He’s an amazing business man and he did an incredible job of creating this empire.” 

The phenomenon in stores over the holiday season of 1983 feels unprecedented. A store owner literally wielded a bat to try to calm down the crowds. There were tears, bruises, screaming matches. Was this the first instance of a toy going viral? 

There have certainly been toys before that created quite an uproar. I think a lot of it had to do with the dolls coming out specifically around Thanksgiving and Christmas time, or at least that’s when it really took off.

Listen, there were 150 [Cabbage Patch Kid] licenses around the world. They sold 20 million diapers, they had low-sugar cereal (which actually didn’t do very well), bubble gum machines, greeting cards, jeans, shoes, lunch boxes, pajamas, bikes. Someone in the film says they had everything from A to Z: an apron to a zipper. They created this whole world so it was about more than just the doll, and I think in that way they really succeeded.

I think Cabbage Patch Kids was really one of the first toys that were able to open it up into that level of consumerism, which also speaks to the 1980s and kind of what society and culture was like around then. 

There have definitely been mobs for toys and different things throughout history but we started to really realize that this might be the first—it’s hard to say definitively—but it certainly was the first time that we could find that there was something that came out during the holiday season where there was that level of lines and just overall madness. It feel like in some ways other companies realized how they could use Black Friday and just holiday shopping as a real marketing tool in ways that maybe hadn’t been done before. 

What’s your own collection of Cabbage Patch kids like? 

While making the movie, I purchased a lot of Cabbage Patch Kids because we were shooting B roll and lots of shots of them so I needed a wide range of dolls. I kept them in my apartment. On one of my first dates with my girlfriend, now fiancée, she came over to my apartment, and I totally forgot about the Cabbage Patch Kids that were all over the place. So, she walked in and I was so embarrassed, like, she’s going to think I’m a serial killer, oh my God. Luckily we got over that hurdle. But I definitely have quite a few. 

Dropbox and NVIDIA Forge Partnership for AI-Enhanced Knowledge Work

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Dropbox and NVIDIA Forge Partnership for AI-Enhanced Knowledge Work

Dropbox’s AI Expansion with NVIDIA’s Expertise

Dropbox plans to utilize NVIDIA’s AI foundry, which includes NVIDIA AI Foundation Models, NVIDIA AI Enterprise software, and NVIDIA accelerated computing. This integration will significantly enhance Dropbox’s latest AI-powered product experiences. Notable among these are Dropbox Dash, a universal search tool connecting apps, tools, and content, and Dropbox AI, which provides question-answering and summarization capabilities for large files.

Revolutionizing Knowledge Work with AI

Drew Houston, co-founder and CEO of Dropbox, emphasizes the transformative potential of generative AI in addressing common challenges in organization, prioritization, and focus. He envisions AI as a tool to offload routine tasks, boost creativity, and enable more meaningful work. This partnership with NVIDIA is a strategic move to bring more personalized, AI-powered experiences to Dropbox customers.

NVIDIA’s Role in Enterprise-Generative AI

Jensen Huang, founder and CEO of NVIDIA, highlights the expanding role of AI from cloud services to enterprise generative AI assistants, foreseeing a significant shift in the computing industry. NVIDIA’s collaboration with Dropbox is set to provide customized generative AI applications, accelerating workflows for millions of Dropbox users.

The Transformational Power of AI in Dropbox’s Ecosystem

Dropbox has consistently integrated AI and machine learning into its core product to enhance efficiency and save time for its users. NVIDIA’s flexible tools will enable Dropbox to introduce new AI-powered capabilities, enhancing the intelligence applied to customer content and workflows. Utilizing NVIDIA AI Foundation Models and the NVIDIA NeMo framework, Dropbox can customize and fine-tune large language models (LLMs), ensuring personalized, relevant information that upholds the security, privacy, and transparency standards Dropbox customers expect.

Dropbox also aims to boost production AI inference performance using NVIDIA AI Enterprise software, including NVIDIA Triton Inference Server and NVIDIA TensorRT-LLM.

The collaboration between Dropbox and NVIDIA is poised to redefine how knowledge work is conducted, leveraging AI to create a more efficient, organized, and creative working environment for millions of users worldwide.

Image: Nvidia


The Two-Hour Blueprint for Maximum Impact

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The Two-Hour Blueprint for Maximum Impact

The Duct Tape Marketing Podcast with John Janstch

 

Questions I ask Leanne Hughes:

[00:49] Why did you choose a two-hour timeframe for your blueprint?

[01:27] What’s the difference between a workshop and a conference?

[02:19] Do workshops require a different skillset?

[04:40] How can businesses view workshops as products or lead generation tactics ?

[06:20] What structure do you recommend for workshops to follow?

[07:29] What are the best and most time-efficient workshop strategies?

[10:22] How do you guarantee immense value for workshop attendees?

[11:41] How do you build rapport and get people to contribute during workshops?

[13:26] How does audience size effect a workshop?

[14:32] What is power up?

[16:08] Can you explain the value of metaphors in a workshop?

[16:47] What are the best employee engagement activities?

[20:06] Where can people connect with you and learn more ?

More About Leanne Hughes:

Get Your Free AI Prompts To Build A Marketing Strategy:

 

Like this show? Click on over and give us a review on iTunes, please!

Connect with John Jantsch on LinkedIn

 

This episode of The Duct Tape Marketing Podcast is brought to you by ActiveCampaign

Try ActiveCampaign free for 14 days with our special offer. Sign up for a 15% discount on annual plans until Dec 31, 2023. Exclusive to new customers—upgrade and grow your business with ActiveCampaign today!

 

 

 

 

The family that plays together: 2023 co-op titles to gift the social gamer

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The family that plays together: 2023 co-op titles to gift the social gamer

It’s the holiday season, and for a lot of gamers, that means one thing: Family. For better or for worse, now’s the time of the year when lots of us are going to be with our nearest and dearest, whether that be blood relations or family of choice. If you’re a gamer and want to gift yourself a title that will give you something to do with your familial partner-in-crime, or if you know a gamer who has friends, these are the 2023 titles that would make the best gifts.

To keep things simple, we’ll focus on games that came out in 2023 — goodness knows there were enough of them. If we got for all co-op games ever, we’d have to cover classics like It Takes Two, Stardew Valley or Left 4 Dead. As fun as that is, we’d be here all day (though we will cover some of them in the bonus section). The games on this list is are those that have come out since the beginning of the year, and can be enjoyed by two or more people.

Remnant II

Normal price: $50 on Steam, Epic Games Store, PlayStation Store, Xbox Store

Gunfire Games’s action RPG, Remnant II, is one of the most accessible co-op games for parties of up to three people. It’s a third-person shooter in which the players must choose a class and then proceed through procedurally generated levels, up to and including fights with terrifying boss monsters. The game offers many different environments and worlds for a party to explore.

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While Remnant II can be played solo, playing in groups of three evens the players’ odds against the hordes of randomly generated enemies. Since the story and quests are also random, the game has a level of replayability that may be lacking in other titles on this list.

Party Animals

Normal price: $20 (on Steam; included with Xbox Game Pass)

Sometimes group game time doesn’t need to be that serious. Sometimes you want to have a little player vs player action — perhaps to settle personal scores, or just to prove a point. In Party Animals, each player is an adorable animal, as the name suggests. They must battle physics, the environment and each other in multiple different game modes.

Players in Party Animals can either work together or against each other to accomplish goals, though the former is significantly more likely than the latter. If you’re a social gamer who needs chaos in their life (or you know a social gamer who does), Party Animals is a choice pick for unleashing precisely that on friends and family.

Diablo IV

Normal price: $70 for the Standard Edition on Battle.net, Steam, PlayStation Store and Xbox Store

The latest entry in Blizzard’s RPG series returns players to a world where teaming up to play isn’t a luxury, but almost a necessity. The world of Sanctuary is a bleak one, so traveling in groups is an advantage both in-universe and out. It features procedurally generated dungeons, non-party player vs player combat, and world bosses that can be fought by up to 12 players.

Diablo IV features parties of up to four players, with five character classes from which to choose. Unlike other games on this list, Diablo IV supports cross-play, meaning that gamers can party up with others on different platforms.

Baldur’s Gate 3

Normal price: $60 on Steam and GOG; $70 on PlayStation

One of the most discussed and most lauded games of the year, Baldur’s Gate 3 can be played as a solo adventure or, in the manner of classic tabletop Dungeons & Dragons, with company. The co-op in Baldur’s Gate 3 allows two player characters to share each other’s adventure, and if you play together from the beginning of the game, each player can create their own characters.

Co-op in BG3 is a bit more loose than it is in other games. Players are free to separate and explore the world as they see fit, without even needing to join in on each other’s particular quests and battles (though of course the game is more fun if you’re adventuring side-by-side).

Super Mario Bros Wonder

Normal price: $60 on Nintendo Switch

If you’re playing with younger gamers, then perhaps you want to avoid the violence and adult themes of some of the other games on this list. For more family-friendly co-op fun, you can’t go wrong with a good, old-fashioned Mario game. Wonder is a return to the classic 2D Mario game style, with several twists on the gameplay to keep it fresh for older players who have played other games in the series.

Super Mario Bros Wonder can be played by up to four players in local co-op, with eight playable characters including Mario, Luigi, Peach and Daisy. Co-op is designed so that players can drop in and out as the players require. The game features several new power-ups and on-screen flare that would make local co-op particularly enjoyable in a group setting.

What game would you be playing with your loved ones this holiday season?

GamesBeat’s creed when covering the game industry is “where passion meets business.” What does this mean? We want to tell you how the news matters to you — not just as a decision-maker at a game studio, but also as a fan of games. Whether you read our articles, listen to our podcasts, or watch our videos, GamesBeat will help you learn about the industry and enjoy engaging with it. Discover our Briefings.

Sensex, Nifty End Lower For Second Day As TCS, Infosys Drag: Market Wrap

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Sensex, Nifty End Lower For Second Day As TCS, Infosys Drag: Market Wrap

The dominant trend in the market this year is the huge outperformance of the mid and small caps, according to VK Vijayakumar, chief investment strategist at Geojit Financial Services. “While Nifty is up only 8.82% year-to-date, the Nifty midcap index and Nifty Smallcap index are up 33.38% and 41.66% year-to-date.”

“It is important to understand that the Nifty is depressed by the poor performance of banks, which have the largest weightage in the Nifty. The Nifty Bank index is almost flat this year, with measly growth of 0.87%,” Vijayakumar said.

The broader markets outperformed their larger peers. The BSE Midcap ended up 0.13%, while the SmallCap closed 0.14% higher.

Twelve out of the 20 sectors compiled by BSE Ltd. advanced, while eight sectors declined. BSE IT fell the most, while Capital Goods rose the most.

The market breadth was split between buyers and sellers. About 1,805 stocks rose, 1,872 stocks declined, and 137 remained unchanged on the BSE.

Banks are underperforming despite very good results because they are overowned, and sustained FII selling is weighing on bank stocks. Mid- and small-cap stocks are under-owned, and retail exuberance is largely driving these stocks. There is no valuation comfort in the broader market, but valuations are fair in large caps, according to Vijayakumar.

“Therefore, the next leg of the rally, driven by institutional money, both foreign and domestic, will be driven by large caps,” he said.

Commodity Roundup: Precious metals in green; Brent set to snap four weeks of decline

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Commodity Roundup: Precious metals in green; Brent set to snap four weeks of decline

Oselote

Precious metal prices were trading in positive territory on Friday, although in low volume due to Thanksgiving holiday, with expectations that the Federal Reserve is done raising interest rates, helping non-yielding bullion post a second consecutive weekly gain. Concerns over price pressures however linger, with data showing US consumers

A Match Made in Heaven for Brand Exposure

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A Match Made in Heaven for Brand Exposure

Digital marketing and public relations (PR) are two distinct disciplines, but combined, they can pack a mean punch. While you need unique strategies for each approach, they can work together to enhance your visibility and credibility.

Whether your goal is to boost your personal brand or increase business sales, combining digital marketing and PR is a must. Follow these tips to craft excellent marketing and PR campaigns.

1. Use consistent messaging.

Digital marketing mostly promotes your brand through:

  • Content marketing
  • Pay-per-click (PPC) ads
  • Search engine optimization (SEO)
  • Social media

PR teams use these digital marketing channels but primarily work behind the scenes, pitching media outlets to build and maintain your public image. PR isn’t afraid to use more traditional methods, like pitching journalists, while digital marketing focuses on public-facing online platforms.

These strategies work differently, but you still need consistent messaging on both fronts. Have your marketing and PR folks meet to agree on branding guidelines beforehand. This way, you agree on campaign goals, phrasing, and tone before creating anything, which ensures consistency across your digital marketing and PR campaigns.

2. Find the right influencers.

You can’t log into TikTok or Instagram without seeing influencer content. For digital marketing, leverage influencers to help you create content. Most influencers are happy to make user-generated content you can share on your website or social media.

Influencers drive exposure in a niche market, which is perfect for PR. It isn’t unusual for PR agencies to get placements in influencers’ holiday gift guides, for example.

You don’t have to work with the same influencers for digital marketing and PR, either. As long as you work with the right influencers for the job, there’s nothing wrong with partnering with several influencers for both strategies. You can generate more content and buzz in less time, which is a win for both marketing and PR.

3. Drive thought leadership with content.

If you want the public to take you seriously, you’ll need to prove yourself. The best way to do that is to produce helpful, educational content.

Content marketing is the bedrock of digital marketing because it boosts your thought leadership. Work with your marketing team to create:

  • White papers
  • Case studies
  • Blogs
  • How-to videos

Once your digital marketing folks create this content, they can pass it to the PR team. PR works its network to secure guest post opportunities, media features, and interviews to leverage this content even more.

4. Host events.

Live events can certainly turn heads, but virtual Zoom events are also a popular way to connect with your target audience. Your digital marketing team can plan a live-streaming event on Zoom, Facebook Live, or YouTube. To drive attendance, they can promote it via targeted email campaigns, social media ads, and SEO-optimized landing pages.

PR takes the ball from there to generate buzz for the event. They create press releases, reach out to industry bloggers for features, and look for other organizations to co-host or sponsor the event.

5. Get more mileage out of customer feedback.

It’s difficult to convince people to leave positive reviews or testimonials about your company, which is where your digital marketing department comes in. They can use loyalty programs and email marketing to encourage happy customers to leave a review. Before you know it, you’ll have more reviews on Google, Yelp, and Trustpilot that show just how reputable you are.

From there, marketers look for the most high-quality reviews and testimonials and use them to create compelling, data-driven case studies. PR also jumps in to use quotes and case studies in their press kits and journalist pitches.

It’s common for people—especially the media—to look for reviews and ratings before interacting with your brand, and sharing this feedback can give you a leg up.

The bottom line.

PR and digital marketing have a symbiotic relationship. Instead of approaching them separately, try the strategies in this guide to enjoy the synergistic benefits of combining digital marketing and PR.